8 edition of Rhetoric and representation in nonfiction film found in the catalog.
Published
1997
by Cambridge University Press in Cambridge, U.K, New York, N.Y
.
Written in English
Edition Notes
Includes bibliographical references (p. 243-250) and index.
| Statement | Carl R. Plantinga. |
| Series | Cambridge studies in film |
| Classifications | |
|---|---|
| LC Classifications | PN1995.9.D6 P56 1997 |
| The Physical Object | |
| Pagination | x, 255 p. ; |
| Number of Pages | 255 |
| ID Numbers | |
| Open Library | OL1006157M |
| ISBN 10 | 0521573262 |
| LC Control Number | 96045968 |
Plantinga, C. () Rhetoric and Representation in Nonfiction Film. Cambridge: Cambridge University Press. Cambridge: Cambridge University Press. Google Scholar. The Holocaust Film Sourcebook: Documentary and propaganda. Praeger. ISBN Platinga, Carl R. (January ). Rhetoric and Representation in Nonfiction Film. Chapbook Press. ISBN Ponech, Trevor (). What is non-fiction cinema?: on the very idea of motion picture communication. Westview Press. ISBN
Carl Plantinga is Professor of Film Studies at Calvin College. He is the author of Rhetoric and Representation in Non-Fiction Film and the coeditor of Passionate Views: Film. Language, Media, and Communication. The English major track in language, media, and communication (LMC) allows students to build their major around the department's multi-faceted offerings in areas such as rhetoric, media studies, film, language studies, nonfiction writing and journalism, and public speaking, as well as courses on related topics offered by other departments.
Genre categories: fiction and nonfiction. A genre may fall under one of two categories: fiction and genre can be either a work of fiction (nonfactual descriptions and events invented by the author) or a work of nonfiction (in which descriptions and events are understood to be factual).. Common genres: fiction. Subsets of genres, known as common genres (or sub-genres), have. Beyond Rhetoric (and Scepticism): A Critical Realist Perspective on Carl R. Plantinga. By GARY MacLENNAN. Review of Carl R. Plantinga, Rhetoric and Representation in Nonfiction Film (Cambridge: Cambridge University Press, ). 1. Introduction.
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Carl Plantinga is Professor of Film and Media Studies at Calvin College. His other books are Moving Viewers: American Film and the Spectator's Experience (), The Routledge Companion to Philosophy and Film (co-editor, ), and Passionate Views: Film, Cognition, and Emotion ().
He is current president of the Society for Cognitive Cited by: Rhetoric and Representation in Nonfiction Film examines the basic theoretical issues that g round any in-depth study of nonfiction film and video. Carl Plantinga surveys the functions of moving images in visual communication and shows how nonfiction discourse presents information through structural and stylistic analysis, among other : Carl Plantinga.
This book was originally published in hardcover by Cambridge University Press. Rhetoric and Representation in Nonfiction Film provides a clear and compelling introduction to the basic theoretical.
Rhetoric and Representation in Nonfiction Film examines the basic theoretical issues that ground any in-depth study of nonfiction film and video. Exploring the legitimacy of the distinction between fiction and nonfiction, Carl Plantinga here characterizes nonfiction film in a new way.
Rhetoric And Representation In Nonfiction Film by Carl Plantinga, Rhetoric And Representation In Nonfiction Film Books available in PDF, EPUB, Mobi Format. Download Rhetoric And Representation In Nonfiction Film books, Rhetoric and Representation in Nonfiction Film provides a clear and compelling introduction to the basic theoretical issues that ground any in-depth study of documentary film.
Rhetoric and Representation in Nonfiction Film provides a clear and compelling introduction to the basic theoretical issues that ground any. Buy Rhetoric and Representation in Nonfiction film by Carl Plantinga (ISBN:) from Amazon’s.
Rhetoric and Representation in Nonfiction Film examines the basic theoretical issues that ground any in-depth study of nonfiction film and video. Carl Plantinga surveys the functions of moving images in visual communication and shows how nonfiction discourse presents information through structural and stylistic analysis, among other topics.
RHETORIC AND REPRESENTATION IN NONFICTION FILM CARL R. PLANTINGA Hollins College CAMBRIDGE UNIVERSITY PRESS. Acknowledgments ix Introduction I 1. What Is a Nonfiction Film. 7 Why Categories, Definitions, and Distinctions. 8 Fiction and Nonfiction: Notes on a Distinction 9 Past Attempts at Definition Carl Plantinga's Rhetoric and Representation in Nonfiction Film is a welcome intervention, a book whose clarity of reasoning, writing, and organization make it the best starting point thus far for any reader interested in un.
Non-Fiction Text Rhetorical Analysis Presentation Persuasive Strategies Primary strategies: Anecdotes, Ethos and Pathos. Ethos: "Inan Ivy League university was considering the application of a young black man from South Central Los Angeles.
The applicant had written a. Description Rhetoric and Representation in Nonfiction Film examines the basic theoretical issues that ground any in-depth study of non-fiction film and video. Exploring the legitimacy of the distinction between fiction and nonfiction, Carl Plantinga here characterises nonfiction film /5(7).
Buy Rhetoric and Representation in Nonfiction Film (Cambridge Studies in Film) by Plantinga, Carl R. (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.
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Gary MacLennan - - Film-Philosophy 2 (1). Among them, Garbio by Larry VanderLeest, featured on NPR, Rhetoric And Representation in Nonfiction Film by Carl Plantinga, which we have shipped to colleges and universities all over the world (Canada, Europe and Australia), and Dante's Dance, a biography of Pastor Dante Venegas, by Jackie Venegas and Chris Meehan, our local bestseller.
Rhetoric and Representation in Nonfiction Film Cambridge: Cambridge University Press, 1. Introduction This review begins with an outline of Plantinga's proposed definition of the nonfiction film and then gives a critical account of his formal analyses of the 'voices' of the nonfiction film.
Flaptekst: This book was originally published in hardcover by Cambridge University Press. Rhetoric and Representation in Nonfiction Film provides a clear and compelling introduction to the basic theoretical issues that ground any in-depth study of documentary film and video.
Carl Plantinga is Professor of Film Studies at Calvin College. He is the author of Rhetoric and Representation in Non-Fiction Film and the coeditor of Passionate Views: Film. Review: Rhetoric and Representation in Nonfiction Film by Carl R. Plantinga Michael Zryd Summer,Vol.
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PLANTINGA, Carl R. Rhetoric and representation in nonfiction film. 1st pub. Cambridge: Cambridge University Press, x, ISBN Další formáty: BibTeX LaTeX RIS.Carl R. Plantinga. _Rhetoric and Representation in Nonfiction Film_ Cambridge University Press, In the current debate or struggle between postmodernist and cognitive (or 'post-theory') movie theory, Carl Plantinga's new book _Rhetoric and Representation in Nonfiction Film_ fits into the latter's Aristotelian modernist/rationalist camp.
